No way.
There's no way. I step aside to
let her out of the bathroom, scrambling frantically to think of something to
say that will keep her here a little longer.
"What
kind of contacts do you wear?" I
ask.
She laughs. "I don't wear contacts."
The answer
takes me aback. "Then why are your
eyes purple?"
The girl
shrugs. "It's just the way I was
born. Some genetic defect, or
something."
I bet she gets
questions like this all the time. I feel
a bit bad about making a big deal out of it now but my mind is still wrapped up
in trying to come up with a strategy.
One thing's for sure, I can't let this opportunity slide through the
cracks.
"What's
your major?" I ask, then realize
that that's probably one of the weirdest things to ask someone after just
helping them escape a locked bathroom.
She looks at me strangely but rolls with it.
"English."
Suddenly I
can't think of anything else to say. My
mind locks up like a vault and suddenly I'm back at the apartments, standing in
front of Mara's door, watching my window of opportunity slowly shrivel up and
die. There's only one thing I can think
of that could possibly save the situation, but the words are stuck in my
throat. The girl thanks us and starts to
walk away and with a burst of willpower I force them out of my mouth:
"Would
you like to come with me to the Arts Festival next Thursday?"
She stops and
swivels around slowly. She's smiling
with some mixture of humor, but it's a genuine, sincere smile. "Sure.
Do you want my number?
I fumble
around in my pocket for my phone and slide it open with far less grace than I
could have hoped. My hands are trembling
slightly. The guy who pushed the cart
out of the way is still looking on. I
wish he would leave.
"208-247-1187"
I punch in the
number and then I'm turning to go, my mind still whirling at a hundred miles an
hour.
"What's
your name?" she asks. I spin back
around, blood rushing to my face. I just asked this girl on a date and I don't
even know her name!
"Nick. What's yours?"
"Mercedes." She smiles again and her purple eyes gleam
and suddenly I don't feel awkward anymore.
We both turn and walk down the hallway in opposite directions.
Two days later
finds me waiting next to a light pole on the south end of campus. I can't seem to stop my fingers from drumming
on the concrete base of the light pole, but other than that I don't feel too
nervous. I run through my plan again in
my head. I'm still not 100% sure what
I'm doing, but it's clear to me that the only way forward for me lies straight
through the middle of this situation, so I'm going to take it by the horns.
I resist the
urge to check my watch again to see how much time has gone by. It was two minutes past the time she said
she'd be here the last time I looked.
I'm not upset that she isn't here exactly on time, but I do notice.
"Hey."
I turn and
there she is, swathed in darkness, the radiant glow from the streetlight
falling like a halo to the crow of her head, cascading from there down the
strands of her hair and splaying off with glowing tendrils into the night, making
her profile shine with an ethereal aura.
She seems so much like a character from a fantasy movie that sometimes I
have difficulty believing that she's more than a figment of one of my
daydreams. Seeing her in the flesh makes
me feel the miracle of it all over again.
We have to believe that not only do miracles
happen but that they will happen to us.
Well, I did,
and look where I am now.
"How are
you?" I answer back.
"Great! I just got done with my last midterm." We turn toward the Dayton Center, where the
Arts Festival is. I'm a bit surprised at
how cheerful she sounds. Maybe she
doesn't need as much help as I thought after all.
"Tell me
about yourself." I say as we
walk. "Where are you from? What's your story?"
"I'm from
Wisconsin, on the east side by the Michigan border. Two brothers, one sister. I just kind of ended up here because tuition
was cheap enough for me to afford."
"Are you
glad you're here?"
"It's
alright, I guess."
"I sense
some hesitation in there."
Mercedes
shrugs and smiles a bit but doesn't comment further. "How about you?"
"I've
always wanted to come here. They have a
decent pre-med program and that's all I ever wanted to do."
"At least
you'll end up doing something useful with your life. I don't have any idea what I'm going to do
with English."
We push
through the doors of the Dayton Center and head down the long hallway by the
food court to the Exhibition Room. My
thoughts are focused and intense. I have
to make this more than a what-is-the-color-or-your-toothbrush sort of date if
I'm going to have any chance of turning this sociology assignment into reality.
I dig down deep into my mental faculties
to find something that will pierce her guard.
"What
makes you special?" She half-laughs
at the question and I feel kind of silly, but I still look on in hopes that
she's going to answer it.
"What do
you mean?"
"I mean,
if you had to describe yourself in one word, what would it be?"
She cocks her
head thoughtfully. "Inconsistent."
"Why?”
"I can
never settle on anything. I change my
mind all the time."
I smile
back. "I have a sister that way,
too. Does your family bug you about it a
lot?"
"My
family hasn't really been...I don't know...Oh, look! They have Picasso here!" We've just entered the Exhibit Room. Mercedes goes off for a while on how much she
likes cubism and how different it is from other kinds of art. It takes a few seconds for me to grasp that
Mercedes has just changed the subject.
The more I think about it, the more obvious it becomes. After all, who in their right mind actually
likes cubism? Mercedes doesn't seem
nearly as excited about anything else at the Festival, which confirms my
suspicions. I need to find a way to get
more information without coming off as too obtrusive.
A few minutes
later I bring up my family again, but this time she doesn't bite, so I go off
on impressionistic painting for awhile, then make a sharp turn in the
conversation and ask: "Who do you talk to when you need to get
something off your chest?"
Mercedes
doesn't answer for a minute and I almost think she hasn't heard when she
says:
"I'm
not really close to anybody."
She has to be
lying . No one doesn't have anybody close to them. It just comes along with being human.
"Not even
your sister?" I prod further. "Isn't that what sisters are for, to be
there for each other?"
And just like
that, Mercedes shuts down. It isn't so
much anything that she says as it is a door that I see swing shut behind her
eyes.
"No. Not her either."
After we both
get tired of the Arts Festival I ask if I can walk her home and she says
yes. The conversation is pleasant, but something
is missing that was there before.
"Did I
say something to upset you?" I ask.
She looks
confused. "No..."
"Oh,
well...I just..." I feel heat
rising into my face. "Never
mind."
"Do you
know what word I would use to describe
you?" Mercedes asks.
"What?"
"Unconfident."
I feel like
she just hit me, but the part that stings is the matter-of-fact,
non-condescending way in which she says it, the fact that the only reason why
she brings it up is because she sees that it's true, not because she's trying
to be mean.
"Um...well...I
guess so..." I say, proving her point exactly.
"Well,
this is my stop."
I look up and
think there's some mistake. The blue
gray buildings that we're standing in front of are all too familiar.
"I live
here." I say dumbly.
"I
know," says Mercedes. She spins around , her hair splaying out in
an arc behind her. And just like that
she's gone, disappearing into the depths of the stairwell, slipping silently up
the steps towards apartment 26.
Part IV will be posted on Thursday.